DogTown Gris Gris

funk. roots. truth.

Browsing Posts tagged bands

Dakah - Hip-Hop Orchestra

“LA Opera has joined forces with Los Angeles’ cultural and educational institutions to stage the first significant citywide cultural festival since the 1984 Olympic Arts Festival. Ring Festival LA showcases a wide variety of exhibitions, symposia, museum shows, conferences, and special events. All of these events will be thematically related to the first-ever presentation in Los Angeles of the four-opera drama The Ring of the Nibelung.” (Ring Festival LA)

Mark Swed of the LA Times called it “one of the most glorious and moving instances of stagecraft I have ever witnessed.”

There is no doubt that this work is one of the most significant European artistic achievements of the 19th century and had a huge influence on classical, jazz and film composers in the twentieth century. As we stand at the edge of the second decade of the twenty-first century, the tenants of post-modernism are instilled through “tweets” and artists face the age-old dilemma of finding a renewed and relevant understanding in which to place previous masterpieces amid unprecedented social white noise and distraction. Beneath the canopy of the business of entertainment, there is a dedicated artistic community in Los Angeles intent on finding ways to tie what is hip to a traditional cultural foundation.

Composer, multi-instrumentalist and band leader Geoff “Double G” Gallegos is leading this effort with urgency, intelligence, creativity and a willful “fuck it, I’m doing this” attitude that has allowed him to stage hugely successful presentations of historical work to large and diverse audiences in the contemporary context of both his hip-hop orchestra, Dakah and his Concert 9Net. With the help of traditional arts organizations in the city, he has established himself as a true visionary in breaking down the categorizations and stereotypes of how and where music is presented and who it is presented to. From the formative days of Dakah (30 musicians) at the Temple Bar taking up the stage and half the dance floor, to packed shows in California Plaza (as part of Grand Performances) and Disney Hall, Double G has fashioned the instrumentation and repertoire of a hip-hop orchestra (now with 70 musicians & MC’s) into a phenomenon that finds unity and respect in many disparate musical landscapes.

His Concert 9Net was featured in the lobby of LACMA as part of the opening of the Ring Festival LA.  On June 19th, Dakah will be performing again as part of the Grand Performances concert series, presenting a program of new work featuring themes from “Der Ring des Nibelungen” re-imagined – Gangster Wagner.

Kristen Toedtman (many have been encouraged to say Tedman) is an artist who’s recent debut cd, “The Fall,” suggests she is a long distance runner who has just hit her stride.  While this cd by itself is a very strong statement, it also holds the promise of much more to come.  Comparisons to other female singer/songwriters who can bring depth and wit to common experiences of love, loss and reflection with such grace and power will conjure the names of contemporaries such as Norah Jones, Gillian Welch, Liz Phair and Alison Kraus as well as forebears like Joni Mitchell and Joan Baez.  The combination of lyrics that strike the perfect balance between the weighty and flirtatious aspects of her nature, harmony that reinvigorates the familiar, and performances that exude a complete respect for the songs makes this a cd that not only claims her place next to that elite company, but also presents her as an articulate, honest, and confident peddler of her craft who would put a smile on your face in a conversation over a cup of coffee or dreaming up roller derby names after a night of cheap beer at The Doll Factory.

The tracks are beautifully produced; Kristen’s vocals are warm and present – always mixed to carry the song.  The cd opens with “Games We Like To Play”. The first line, over her piano groove backed by a thinly textured B3 is, “It wouldn’t be the first time, nor would I be the last, claiming occupation in your weapon-laden past.  So allow me one confession before our time is through.  I don’t know what I’m fighting for, but I know I want to fight with you.” By the time the rest of the band and background singers enter on the next line, I am already committed to following this journey through to the end.  By the last track on the cd, the triumphant “Here to You”, my well-guarded cynicism has devolved to the point where I am singing along in full-throated, hopeful glee with the gospel choir “Lord, help me get from here to you” without the slightest sense of guilt or irony.  The true testament to this effort is the need to listen again and again in the following days because the songs are playing relentlessly in my psyche. The Fall – buy it on Amazon

LISTEN:

Here is the Music Player. You need to installl flash player to show this cool thing!

WATCH:

El Rey Theater in Los Angeles

The New Mastersounds.  I love that these guys are so funky and so English! They are one of the tightest improvisational bands I have heard play live.  I saw them again in March at the El Rey in Los Angeles with Trombone Shorty opening.  They are deeply rooted in the soul jazz sound of the 60′ and early 70′s and even pay homage with their name to the Montgomery brothers’ band, The Mastersounds (Vibraphonist Buddy Montgomery and electric bassist Monk Montgomery with pianist Richie Crabtree and drummer Benny Barth.) Nobody hits a boogaloo groove harder than these guys!
They have an obvious affection for vintage instruments and production gear.  In addition to having a deep-pocket live feel, their CD’s have a great analog production aesthetic. These guys are the real deal – funky groove music for a party mix or a concentrated listen.