DogTown Gris Gris

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Browsing Posts tagged Hip-Hop

Dakah - Hip-Hop Orchestra

“LA Opera has joined forces with Los Angeles’ cultural and educational institutions to stage the first significant citywide cultural festival since the 1984 Olympic Arts Festival. Ring Festival LA showcases a wide variety of exhibitions, symposia, museum shows, conferences, and special events. All of these events will be thematically related to the first-ever presentation in Los Angeles of the four-opera drama The Ring of the Nibelung.” (Ring Festival LA)

Mark Swed of the LA Times called it “one of the most glorious and moving instances of stagecraft I have ever witnessed.”

There is no doubt that this work is one of the most significant European artistic achievements of the 19th century and had a huge influence on classical, jazz and film composers in the twentieth century. As we stand at the edge of the second decade of the twenty-first century, the tenants of post-modernism are instilled through “tweets” and artists face the age-old dilemma of finding a renewed and relevant understanding in which to place previous masterpieces amid unprecedented social white noise and distraction. Beneath the canopy of the business of entertainment, there is a dedicated artistic community in Los Angeles intent on finding ways to tie what is hip to a traditional cultural foundation.

Composer, multi-instrumentalist and band leader Geoff “Double G” Gallegos is leading this effort with urgency, intelligence, creativity and a willful “fuck it, I’m doing this” attitude that has allowed him to stage hugely successful presentations of historical work to large and diverse audiences in the contemporary context of both his hip-hop orchestra, Dakah and his Concert 9Net. With the help of traditional arts organizations in the city, he has established himself as a true visionary in breaking down the categorizations and stereotypes of how and where music is presented and who it is presented to. From the formative days of Dakah (30 musicians) at the Temple Bar taking up the stage and half the dance floor, to packed shows in California Plaza (as part of Grand Performances) and Disney Hall, Double G has fashioned the instrumentation and repertoire of a hip-hop orchestra (now with 70 musicians & MC’s) into a phenomenon that finds unity and respect in many disparate musical landscapes.

His Concert 9Net was featured in the lobby of LACMA as part of the opening of the Ring Festival LA.  On June 19th, Dakah will be performing again as part of the Grand Performances concert series, presenting a program of new work featuring themes from “Der Ring des Nibelungen” re-imagined – Gangster Wagner.

This is a cool clip of De La Soul playing at Coachella being backed (as they have been for the last year) by the Rhythmn Roots Allstars.  Matt DeMerritt is the tenor player for the band – although he is playing keys on this clip.  Matty D. is a dear friend, brother of the BBQ, and the horn arranger and tenor player on the latest instrumental Gumbo tunes posted on the homepage of this site.  Matty D’s tenor and flute have been a huge part of two previous gumbo cd’s and my holiday cd – He’s got the three T’s:  tone, time-feel & tastiness.  I remember hanging with Matt last year and him saying that the Rhythmn Roots Allstars were going to be backing De La Soul for some shows in support of the 20th anniversary of 3ft. High and Rising.  It was a wtf moment realizing it had been 20 years since that cd, introduced to me by Ebon Heath, had turned me on to hip-hop and how it related to the shit I was into at the time.

RootDownFM is absolutely the coolest listening spot on the web if you like funk, jazz, soul, latin, hip-hop, reggae, afrobeat, boogaloo.  It is a subscription service powered by Live365. Live 24/7, 72 hours no-repeat, and no ads.  It is a fantastic mix of classic cuts and new music from independent artists all carefully chosen by the folks running the joint.  I even heard a Gumbo Brothers track last night!

I was having a small party the other night with some friends who were visiting from the east coast.  I threw these mixtapes on and immediately people who didn’t know were asking me who/what it was. The Messengers is the work of DJ/Remixer/Producer, J.Period and Somali-born MC, K’Naan (the dusty-foot philosopher).  In addition to the masterful production, they are a fresh take on the social significance and message of three artists all of whom influenced me musically and consciously.  J.Period’s insane remix skills and K’Nann’s lyrical ability (effortless and honest) renews the love I have had for these tunes and recognition of the genius of these artists for most of my life.

In the press release, they say what makes artists true messengers:

“Some artists are defined by their environment. Some redefine their environment. Still others push the boundaries of convention so fully that their influence is felt around the globe, and across generations. Their music compels us not only to dance but to think, not only to celebrate but to strive, not only to listen but to truly hear.”

These mixtapes have been in steady iTunes rotation since I downloaded them (for free) and I am sure they will be the musical background to much bbq-themed entertainment this summer.

I got to be part of a session with KRS-ONE.  Yep, old-school, boogie down production! He laid down a verse and chorus on a tune Frank Fitzpatrick is writing for the movie Beat The World.  What a cool, intelligent, funny,  person and an absolute pro in front of the mic.  It was an amazing experience to listen to someone who has been there since the beginning talk about hip-hop culture and it’s astronomical growth and impact on youth culture around the world and then step behind the mic and spit rhymes with joyous abandonment.  He has a deep understanding and sense of responsibility about his life and art.  I came away with a tremendous respect for him.  I am hoping we get to work with him again soon.